Tag: apparel
More Details on the Peacock Skirt
Do you remember my Peacock Skirt? Megan of Elmsley Rose asked for some more close ups of the embroidery, and while I have been remodelling it (for a slightly less sylph-like waistline – I was a skinny teenager!) I took the opportunity to take some.
Close Up Of Branch
This, therefore, is a close up of the branch the peacock is standing on. I simply followed the instructions here, using coral stitch for the dark grey elements of the branch and scroll stitch for the pale yellow. I think that now if I were do something like this again, I would spend a bit of time tweaking the colours a little more, because I’m not sure I like having the peacock’s legs the same colour as the highlight on the branch!
You can see, too, that I struggled somewhat with tension and the fabric is a little puckered. This seems not to matter when I’m wearing the skirt – people still admire it!
Pekinese Stitch On The Peacock's Back
The instructions for the Peacock’s back said to work the Pekinese Stitch fairly loosely to create a slight variation on colour and texture. Since the embroidery was worked in two strands of stranded cotton, that too contributes to a slightly “fluffy” appearance. The satin stitch sections around where the wing should be are in slightly different shades of grey, and worked at slightly different angles, again to produce varying tones and textures.
Looking at this close up now, I think the rows of stem stitch used for some sections of the body represent the feathers of the bird more successfully (although, again, the design doesn’t attempt a photo-realistic representation) than the sections of satin stitch or pekinese stitch. I do admit, however, that it was the chance to work pekinese stitch that attracted me to the design!
Spiders Web Flower Centre
The centres of the flowers were worked using a Spiders Web Wheel. The instructions specified working as much thread into the stitch as possible to obtain a raised and highly textured effect. This contrasts very well with the long and short stitch flowers and the stem stitches on the peacock’s tail.
Again, coming back to these pieces years after stitching them, it’s fascinating to look at surprising details. The gold and russet leaves look as though they’ve been padded, but I’m quite sure they weren’t. I remember doing padded satin stitch for the first time quite recently and wishing I’d known about it earlier!
More Peacocks!
Peacock Motif
This design of peacocks and flowers was taken from a Time Life book on couture embellishments, and embroidered on a full skirt. It still attracts attention, and now full skirts are back “in”, I shall probably fish it out and start wearing it again. Although it has always been a challenge to find a suitable top!
I worked this as a teenager, and wore it at a cousin’s wedding. The design was worked at three places around the skirt, with each third showing two peacocks confronting one another across the sprig of flowers. The original design used two shades of grey-green, several shades of grey, lemon and white on a red satin background. I simply changed the two shades of grey green to a dark yellow and a chestnut brown to work on the bright turquoise/teal background.
The design attracted me because – alone of the surface embroidery patterns I had seen up to that point, it included more than the basic stem stitch, satin stitch, and long and short stitch. The peacock’s back was worked in Pekingese Stitch, deliberately worked loose and spaced so as to create a slightly mottled effect. The flower centres used a whipped spiders web wheel, worked close and tight so as to be slightly raised. The branches were worked in a combination of Coral Stitch and Scroll Stitch – neither of which I remember seeing used in a commercial design up to that point.
It was quite fun to stitch, but the deadline made life a bit exciting, and my mother had to help out with some of the embroidery so that I could get the job done!
Flower Motif
The Autumn Leaves Skirt
Autumn Leaves Skirt
I made this skirt last winter, and originally needlefelted the leaves onto the fabric. However, after a winter’s wear, and after looking at a good few blogs over the summer, I thought I could do better.
I took some ideas from some of SharonB’s Pintangle posts on seam treatments, fished some additional inspiration from a host of other blogs (wish I’d taken notes, now – I want to find some of them again!) and then proceeded to some adventures in embellishment.
It occurred to me that there was no need to keep within the leaf shapes, or even to add embellishment that resembled leaf characteristics in any way, so paisley shapes, spiders web wheels and trailing lines of feather stitch showed up all over the place.
I started off by sewing around the edges of all the leaf shapes in ordinary running stitch, and originally I had intended to stop there. However, when I did, it looked a little half-hearted, and I’m never that, so Something Had To Be Done!
First Skirt Detail
There’s a trail of French knots across the largest leaf, which has a circle of Rosette Chain on it, surrounding a disc of an interlaced filling stitch in three different colours.
I also realised (about halfway through!) that I didn’t have to keep the embellishment only on the applied fabric, so the skirt fabric acquired stem stitch lines with French knot finials, a spiders web wheel, and more French knots.
Second Skirt Detail
It is all worked in six strands of stranded cotton, un-separated to maintain a sort of cohesion. I chose colours that were fairly close to the colours of the felt leaf shapes, but working in the opposite direction, as it were, so dark felt was running-stitched in light stranded cotton.
All this on a skirt I originally made purely because I wanted a long winter skirt to cut the draughts in the office!