Tag: Linen Stitch
Follow Up to the Lady By The Lake
Several of the comments on my Lady By The Lake post asked me to show some close ups of how I achieved the colour changes on the skirt. I’ve not had enough light to get her down from the wall, so in the meantime I found a fragment of canvas and some tapestry wool and worked a couple of patches of stitching to show what I mean.
The stitch is a bordered Hungarian Stitch. I couldn’t find a diagram online, but I think it is fairly clear to see how the stitch fits together!
I was rather limited by the threads I had available, but I’ve tweaked the image in The Gimp, and I hope you can see that I’ve only used three colours of wool, but I’ve achieved seven variants of shade. In practice I think I would choose one or other of dark diamond and light border or light diamond and dark border, and stick with that choice, since changing between them is rather messy. That said, sometimes it’s worth the extra headache to get the precise effect you want. This stitch gave the Lady a slightly textured skirt with suitable shading without spending the earth on different thread colours.
As this patch shows, you can blend colours with Linen Stitch as well, and I have done in the past, when the available colours weren’t quite right for the effect I wanted to achieve. I didn’t do so on the Lady, because I wanted to create the effect of a glossy silk satin blouse. So rather than creating softer colours by blending them, I wanted strong shadows and bright colours. The Lady’s canvas was a double thread canvas, so I could choose to work at two different scales. I wanted to reserve the finest scale for her skin, so everything else used the basic canvas count, and the skin and features were worked as petit point.
Hmm, I really do need to get her down and try photographing her again, don’t I. There’s loads more to say about the Lady by the Lake!
The Lady By The Lake – another early project
This was another early project. It was a DMC painted canvas, which was clearly intended to be done in tent stitch using tapestry wool. As it is eighteen inches by nearly two feet, that would have driven me wild…
I bought it almost entirely because I thought I could see a way to get the folds in the dress to appear the right shades without using as many colours of thread, and I wanted to experiment. So I used a bordered Hungarian Stitch, worked in three shades of pearl cotton and combining them to create the impression of five shades in the skirt. It worked!
The blouse is also pearl cotton, this time Linen Stitch, which is effectively the back of Basketweave Tent stitch put on the front. It produces a very solid, durable background and I’ve used it on cushion projects in the past.
The only drawback is that it takes so long to do. I’ve diagrammed it here because I can’t find it online, and I’ve found it such a useful stitch myself. It is worked diagonally, just like basketweave tent stitch.
The face and arms were worked in petit point, separating the double threads to create single thread canvas, and worked in stranded cottons (blended). The hair (she didn’t have such glorious chestnut hair on the painted canvas itself) is also blended stranded cottons, worked in a sort of long and short stitch. The hat has spider’s web stitch roses on it.
I changed the wooden, slatted backed bench of the canvas into a padded one so that I could do the upholstery in Reversed Mosaic Stitch. The lake itself took ages to do – row after row of darning stitch using all sorts of ribbons and threads, including some truly ghastly knitting acrylic which would have made a dreadfully uncomfortable jumper, but made a very good lake surface, with that slight sparkle you get when there’s just enough breeze to move the water.
The sky and clouds are all Milanese Stitch, worked in blended Persian yarns with three strands in the needle. It works, but now I’ve read Terry Pratchett I’m afraid it makes me think of the sky above “gnarly ground” in “Carpe Jugulum” – not such a peaceful thought!