Tag: Tudor and Stuart Goldwork Masterclass
Tudor and Stuart Goldwork Course – Month Three Practice
Month Three Goldwork Practice
I am continuing to work practice lengths and fragments of the stitches in the Goldwork MasterClass, since I am still working the silk motifs that form the basis for the Spot Sampler.
Again I worked the Heavy Chain Stitch in two “scales”. I find it rather surprising that the stitch changes width with the length, even though the needle comes up from and returns into the same hole. Still, it is useful to know that I can change the appearance of scale so much without changing the thread I am using.
The second stitch is Four-Legged Flat Spider Web Stitch, and I’ve not found a diagram on the web anywhere. It is a large cross stitch, woven around in a weaving pattern. Simple to do, if you make sure to go over the top layer of the cross stitch and under the bottom layer. The challenge lies in keeping the thread spiralling smoothly around, rather than catching itself and crossing where it shouldn’t. I think I would be reluctant to use this stitch on a garment or something that would move a lot, as I would be uncertain of the stability of the coil. Using it on my sample cloth might reveal that, of course. I shall try to remember to examine it at the end of the course!
Tudor and Stuart Goldwork Masterclass – the first two Goldwork Stitches
I’ve not come near finishing the silk work on the Spot Sampler, so I am going to do some practising first. The fabric is a heavy plain weave, about 16 threads to the inch. Compared with the linen for the actual piece it is almost like binca! I chose it to give me some chance to see what I was doing and to count the threads if it proved necessary for the stitches. It wasn’t really for the first two, but I did so anyway!
Reverse Chain Stitch
Reverse Chain Stitches
This produces, to all appearances, simple chain stitch, but it doesn’t involve the “scooping” motion used when working in the hand and seems somewhat easier to control.
I’ve done it both over three and over two threads.
Reverse Twisted Chain Stitch
Reverse Twisted Chain Stitch
Again, the resulting appearance is of simple twisted chain but the stitch is worked backwards, I think this reduces the chances for the gold thread to snag on itself, which certainly helps.
As shown in the original diagram, it is worked over a grid in effect, of two threads by two. After doing that fairly easily I decided to play a bit.
So I worked several variants, over two by four, two by one, one by one, and two by two.
The one by one was quite a challenge, but I am pleased that I have an impression of the changes in appearance effected by the different stitches.
More on the Masterclass
Making Progress on the Queen Stitches
I’m making progress on the Tudor and Stuart Goldwork Masterclass. As I mentioned, I was a little anxious when I realised how much counted work was involved, but I am developing techniques to cope. Since the designs are large and simple, rather than being full of subtle shading, it is actually fairly easy to decide by eye where the next stitch goes. I count twice to place a new motif correctly, but then just do what seems right.
The other decision I have made is to help convince myself I am making progress – so here, instead of finishing the leaves, I’ve started on the flower. It gives me a better idea of the extent of the design – this is the top right hand corner – and I needed the reassurance!
Megan has produced a fantastic round-up of links and resources about Queen Stitch over at Elmsley Rose – well worth following up, as each different description contributes to developing a technique for working the stitch.
I am planning to set up another frame with a piece of cloth to practice the goldwork stitches on, since some of them will need it, but for the moment I am trying to apply some discipline to my stitchery…!
Beginning the Tudor and Stuart Goldwork Masterclass
Starting the Spot Sampler
So now I am beginning to do the silk embroidery for the next Thistle Threads Online University Course, the Tudor and Stuart Goldwork Masterclass.
More gorgeous Au Ver A Soie silk thread to play with!
Furthermore, some new stitches! I’m not keen on counted work, so when I saw a chart in the instructions, my heart sank. Then I read the instructions and realised it was going to be a bit more fun than I had thought…
So, most of the silk stitching is to be in Queen Stitch, which I think I have done in canvaswork before, but never at this scale, and never changing its orientation or doing half queen stitches. The square motifs are bordered in Roman Stitch with Rice Stitch in the middle. Apparently in the historical pieces, Queen Stitches are often treated almost as pulled work, creating a lacy pattern of holes between the stitches. It’s quite difficult to pull tight enough, but as you can see from the navy blue petal, I’m beginning to get the hang of it.
The great attraction of this course for me is that we will have animations to show us the complex gold thread stitches that are the main focus of the course. At the end of the course, we’ll get a CD of these animations, so if I forget how to do one, I will be able to learn it again. Furthermore, some of Tricia’s recent posts on The Embroiderer’s Story mention that she has discovered some new stitches during her research trip and she is hoping to add them as a bonus!
Starting Another Course
Tudor And Stuart Goldwork Kit
I decided to follow another Thistle Threads Online University course. This time it is the Tudor and Stuart Gold Master Class, and my first materials kit arrived today. There is more of that lovely Au Ver A Soie, and a lot of gold thread for practising with, as well as for working on the spot sampler.
The real attraction of this course to me is that Tricia has worked out how some of the ornate and now mysterious stitches of the period would have been worked. The stitches shown on the video look fascinating, and as well as providing instructions, she is providing animations to help her students learn how to work them. First, however, there is the silkwork to do, largely in Queen Stitch, Rice Stitch (a cross stitch variation), and Roman Stitch.
As with the Floral Glove Needlecase, there was a larger number of students enrolling than Tricia expected, and between us we appear to have wiped out the worldwide stocks of some colours in the silk thread. As with all specialist enterprises, the manufacturers tend to expect small orders, and it may take years for a dye lot to be used up. However, we can hope that more people will be introduced to these threads and will begin to use them more. Potentially this will lead to more shops stocking the more unusual materials, and make it easier for us to buy them.
As Shakespeare would have said, “A consummation devoutly to be wished!”